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SUMMER BREEZE FESTIVAL

Dinkelsbühl, Germany — August 12–15, 2026

For four days, the fields outside Dinkelsbühl became their own world. 45,000 people, more than 125 artists and a sold out festival. SUMMER BREEZE 2026 turned the fields outside Dinkelsbühl into one of Europe’s most powerful meeting places for heavy music.

There is a remarkable story behind this scale. Founder Achim Ostertag started SUMMER BREEZE with a group of friends in Abtsgmünd in 1997, driven by a simple idea. They were young musicians who wanted a festival to play. What began as a DIY project grew into one of Europe’s major independent metal festivals. Based in Dinkelsbühl since 2006, SUMMER BREEZE has retained something of that original spirit. Despite its extraordinary scale and professionalism, it has never lost its human core.

Helloween, In Flames, Arch Enemy, Lamb of God, Saxon, Airbourne, Hatebreed, Testament, Paradise Lost, Alcest and Eivør were part of a line up defined not only by extraordinary musicianship, but by artists who remained deeply connected to their audiences. These were not simply shows delivered from a stage. The exchange between artist and crowd was part of the performance itself.

Behind the scale stands an exceptionally precise organisation. Production, security, media coordination, infrastructure and staff worked with remarkable professionalism while remaining open, helpful and human.

The Other Side of Heavy Music

From the outside, metal festivals can appear extreme. Volume, black clothing, mosh pits, walls of guitars and bodies pressed towards enormous stages. Inside that world, another reality exists.Attention. Community. Humour. And an instinctive understanding that intensity only works when people take care of each other.

There is an unwritten code in the crowd. People make room when someone needs to leave. When the heat becomes too much or someone needs help, hands go up. If necessary, people are carried safely across the crowd towards security.

That contradiction became one of the most beautiful observations of SUMMER BREEZE 2026.

The harder the music became, the more visible the human element sometimes seemed to be.

And perhaps that is what remains when the stages fall silent. A festival of extraordinary intensity built on something remarkably simple. Respect. Awareness. Community

SUMMER BREEZE- OFFICAL WEBSITE

Text & Photography: Kathleen Kloss

Visual Press & Media

EIVØR — SUMMER TOUR 2026

A summer still in motion. A new record on the horizon.

Between the endless asphalt of night drives and the dust of summer fields lies a pace that demands everything. Long hours on the road with her band and crew, focused soundchecks in shifting arenas, and signing sessions that stretch far into the night, where Eivør remains as long as anyone is still waiting to share a moment.

Across this summer tour, Eivør has moved between major festival stages, concert halls, and intimate venues, carrying the same intensity into spaces that could hardly be more different from one another. There is something almost relentless about the pulse of it: arrive, prepare, perform, meet the audience, move on. Yet on stage, none of it leaves a trace. What remains is her presence.

To experience Eivør live is to witness a quiet alchemy. Her voice spans from the deep roots of the earth to far beyond the sky, at one moment shattering the air across an open festival field, at the next pulling thousands into a silence so absolute it feels like a secret spoken directly to you. Driven by the primal pulse of drums, raw electric guitars, and experimental soundscapes, balanced by moments where a song strips down to nothing but raw breath, she and her band create a space where elemental power and total surrender exist as one.

And while the tour is still moving, another chapter is already taking shape.

Songs from the upcoming record, including Healer and Dragon Maiden, have already found their place on stage, giving the audience a first taste of the world that lies beyond this summer tour and festival season. With a new album on the horizon, these performances no longer feel only like the closing stretch of a summer road. They are also beginning to sound like the threshold of what comes next.

The European summer is not quite over. Two festival appearances remain before attention turns toward TUNGL, her upcoming studio release arriving on October 16, its Faroese title meaning moon.

10 tracks moves through love and lost, tenderness and heartache and the emotional tides that shape us.

Exclusive album release concerts in Tórshavn and Reykjavík mark the beginning of this new chapter, before an extensive tour carries this creation across North America, ultimately unfolding the live soundscape of TUNGL across stages in Europe and the UK in early 2027.

EIVØR - OFFICIAL WEBSITE

Text & Photography: Kathleen Kloss

Visual Press & Media

Asaf Avidan

After years of more intimate performances, Asaf Avidan returned to the summer stages with a full band and a show that moves restlessly between folk, blues, rock, jazz and something entirely his own.

Live · Carcassonne 2026. Within the ancient stone amphitheater, singular vocal falsetto pierces the Mediterranean night with unvarnished emotional intensity.

There is an almost physical quality to Avidan's performance. His voice can fracture into something raw and fragile, then rise seconds later with astonishing force. Nothing about him feels static. He bends, twists and throws himself into the music, turning the stage into a place where sound and movement become inseparable.

In Wolfsburg, that intensity met the open atmosphere of the summer festival. Ten days later, beneath the night sky of Carcassonne's medieval Cité, it found an entirely different frame. The historic walls surrounding the Théâtre Jean-Deschamps gave the sold-out concert an almost theatrical dimension.

Yet the centre remained the same: an artist who refuses to separate vulnerability from power.

With his full band behind him, Avidan doesn't simply return to a bigger stage. He fills it with contradiction: tenderness and abrasion, control and abandon, an unmistakable voice capable of sounding impossibly delicate one moment and almost feral the next.

Two summer nights. Two completely different places. And an artist whose greatest instrument remains his absolute willingness to give himself to the moment.

ASAF- OFFICIAL WEBSITE

Text & Photography: Kathleen Kloss

Visual Press & Media

Festival de Carcassone & Live in Wolfsburg

LENNY KRAVITZ

Electric Resonance

There is remarkably little between Lenny Kravitz and his audience. No monumental production carrying the night, no spectacle competing for attention. The stage lives through music, through the individual brilliance of every musician on it, and through a connection with the audience that feels increasingly rare at this scale.

Nothing here needs to become a performance of itself. Kravitz is present, generous and completely inside the music. He gives space to his band, lets musicianship speak for itself and turns an arena of thousands into something unexpectedly human.

What unfolds is less a performance than an encounter. Songs that have travelled through decades remain alive because they are not treated as monuments to the past. They happen again, right there, between the people playing them and the people receiving them.

And perhaps Kravitz himself found the simplest words for what held the night together:

My friends, my family, Berlin. We are here for a reason. And the amount of power we have collectively is more intense than you can ever imagine, under the banner of love.”

Lenny Kravitz, Berlin 2026

OFFICIAL WEBSITE

Text & Photography: Kathleen Kloss

Visual Press & Media

ROBYN

THE SEXISTENTIAL TOUR

The new pieces from Sexistential hit the arena unfiltered and uncompromising. In Berlin, they landed in a city whose own identity has long been intertwined with the bittersweet pulse of electronic music.

It was during the older anthems that the full complexity of the Uber Arena revealed itself. Thousands of different lives converged in a single, relentless rhythm until individuality seemed to dissolve into movement.

Robyn allows dignity and loss of control, melancholy and ecstasy to exist in the same body. Nothing needs to be resolved. Emotion moves through repetition, sweat and physical surrender until it is no longer something performed onstage, but something moving through the entire room.

There is no contradiction between vulnerability and strength here. One becomes the other.

And perhaps that is what remains when the beat finally stops: the body exhausted, the armour gone, and vulnerability no longer something to protect, but a force of its own.

ROBYN- OFFICIAL WEBSITE

Text & Photography: Kathleen Kloss

Visual Press & Media

ROSALIA LUX TOUR

Rosalía doesn't follow the architecture of pop.

She rebuilds it while standing inside it.

LUX is precision pushed to the edge: orchestra against electronics, extraordinary vocal control against physical abandon, beauty interrupted before it can become comfortable. And then comes Berghain.

Strings race. Voices collide. The composition tightens until elegance turns into pressure and pressure into impact.

Rosalía moves through it all with absolute command. She can hold an arena with a single voice and seconds

later throw the entire structure into chaos. Nothing remains in one language, one genre or one emotional state for long.

That is where her power lies.Not in perfection, but in what she dares to do with it.

Rosalía doesn't cross boundaries.
She makes them irrelevant.

ROSALÌA- OFFICIAL WEBSITE

Text & Photography: Kathleen Kloss

Visual Press & Media